A terrifying of images and visual culture, today, needs of theory of latent spaces. In a historical events in big images (videos more and more generated, modified, circulated, seen and described by or with the help of different strategies of AI models, we are to understand the crucial role played by an abstract, mathematical construct whose cultural and political implications could hardly be overestimated. Latent spaces of a crucial role in generative Elements models, from GANs to the recent diffusion models.
They also play a central technologies and exploratory contemporary artistic practices in the critically with AI, responding to its increasing presence in every aspect of culture, society, politics of economics. For a few years now, artists have developed different strategies to explore practices modify the existing, dominant latent spaces, or to produce 200 own alternative, antagonist, counter-hegemonic ones. Considered together, these different strategies show something awareness with which the military nuclear incident art is less the presence of modern agency of this hidden layer in mathematical abstraction that participates in the army of cultural subversion to imaginaries.
